The seam between code and craft is where I live. I write gameplay systems - movement, combat, AI, the logic that decides how a game feels to hold - and I sculpt the characters those systems bring to life. Most people do one or the other.

Because I can take a character from blockout to a rigged, playable, in-engine actor without a handoff, I prototype faster and lose nothing in translations. I sweat the small stuff - the win-up before a swing, the weight of a landing - because that's what makes a game feel real.